Thursday, December 24, 2020

Happy Holidays and Thank You!!!

I’d like to take this opportunity to wish all my friends, fellow music lovers, bands, and my blog readers the safest of Holidays. May this coming year bring you all that your heart desires, good health in these dark times, financial abundance so your mind can be at ease, lots of love to warm your heart, and let’s all cross our fingers that we can get some semblance of normalcy back to life sometime during the course of 2021.

I’d also like to take a moment to thank all the bands, singers, musicians, record labels, streaming services, record stores, and anyone out there who created/produced/distributed music in 2020 to help us get through this very challenging year. I’ve always found solace in music when life gets tough and more than ever music has been a healer and source of hope and happiness for me this year. I thank you from the bottom of my heart and if I’ve reviewed an album of yours, it was a great pleasure to take some time to pour some words on the proverbial page to express how I felt about a set of songs that has made my life a little easier while I listened to them. Hopefully it helped spread the word and get more folks aware of the artists/bands reviewed on the Harbinger of D.O.O.M. blog. I will return in January for a brand new year filled with great music, I’m sure. Till then, drink some fine wine, eat some good food, hug the people you love, and stay safe!

Wednesday, December 23, 2020

Ripple Music - The Revolution Lives

For my final review of the year (which will be more of an endorsement than a review, really), I picked a Heavy Psych compilation chock-full of bands compiled by the fine folks at Ripple Music in conjunction with Vegas Rock Revolution. In general, compilations tend to be a hit or miss affair. Not so for this one; The Revolution Lives is a collection of a who’s who of the best Doom/Heavy Psych/Stoner bands from Ripple’s impressive, ever-growing catalogue. If this were a movie, it’d get a 97% fresh rating on Rotten Tomatoes!

The 90-plus minute album comprised of 22 songs—21 upon release two weeks ago, with a new song popping up as of late—provides us with a great sampling of songs released on the label between 2018 and 2020. You get established icons like Wino (of The Obsessed and Saint Vitus fame), Wo Fat, Mos Generator, The Watchers, Salem’s Bend, and Mothership all the way to lesser-known/up-and-coming bands (to my knowledge anyway) like War Cloud, High Priestess, Shotgun Sawyer, and Freedom Hawk. Highlights for me are the hypnotic Wino track, “Isolation”, the energetic opening song from Freedom Hawk, “Brutal Winds”, High Priestess’s brooding “Hour Glass”, and Mothership’s terrific live rendition of  “City Nights.”

This one has it all, folks. It also solidifies Ripple Music as one of the top-tier indie labels and go-to place for your Doom/Stoner Rock/Heavy Psych needs. And you know what’s even better? It’s a “Pay what you want” release on Bandcamp! Seriously, what more could you ask for? Stop reading this and go throw a couple (or a lot) of bucks their way and support these hard-working bands in what has been a very trying year for us all but a particularly challenging one for artists. The Revolution Lives is a benefit for the bands, so buy a copy and take it for a spin on your favorite MP3 player/cell phone/old school sound system.

Ripple Music’s Bandcamp page: https://ripplemusic.bandcamp.com/

The Revolution Lives’ Bandcamp page: https://ripplemusic.bandcamp.com/album/ripple-vrr-the-revolution-lives

Wednesday, December 9, 2020

Loot the Body - The Barrier Peaks Songbook

I’ve always loved concept albums. From Rush and Pink Floyd’s heyday to Genesis and Yes, those bands released some classic concept albums. One of my faves of all-time though, and which I wore out on tape back in my teenage years, was Queensryche’s Operation: Mindcrime. That album rocked my world for a number of years and I’m still fond of it to this day. Concept albums seem to be less prevalent nowadays, or at least quality ones worthy of mention or deserving of a slot on our digital playlists are hard to come by. I was pleasantly surprised to come across Loot the Body’s The Barrier Peaks Songbook, a concept album absolutely worthy of a choice spot in my (and your) digital album collection.


Concept albums have to have a theme, of course, and this one, as the name of the band suggests for those familiar with it, is Dungeons & Dragons. Dungeons & Dragons (D&D) needs no introduction but for the uninitiated, in a nutshell, it’s a fantasy tabletop role-playing game (RPG) with an extended mythology that skyrocketed to fame in the ‘80s and that is still quite popular today. As a kid growing up in the ‘80s, it was impossible not to be aware of it as it was everywhere: ads in comic books, kids playing D&D after school or on weekends, a cartoon series on Saturday mornings, and even computer and Nintendo games. It’s one of those things that I always wanted to try but never got around to. But I digress. Anyway, Expedition to the Barrier Peaks was one of the most popular D&D fantasy modules released in 1980 that also contained elements of science-fiction. Loot the Body’s The Barrier Peaks Songbook is a psych/prog rock concept album inspired by the aforementioned D&D adventure.

On to the album. This has all the foundations for a very interesting musical adventure and to my delight—and hopefully yours as well—it fulfills that potential admirably. The whole album feels very cohesive, multi-layered with a palette of musical genres while preserving a melodic sound with some catchy lyrics to boot. What’s even more impressive is that Loot the Body is a one-man band, the brainchild of multi-instrumentalist/singer Levi Nunez. His voice has a warm and comforting—for lack of a better word—quality to it that gives off a Beatlesque vibe. The overall sound of the album has a nice retro feel going for it; it could almost have been released in the ‘70s to be rediscovered some forty odd years later. It does have modern sensibilities that keep it fresh and contemporary. I can hear echoes of Peter Gabriel-era Genesis, only more accessible, with a sprinkle of Wishbone Ash (their album Argus comes to mind.) The finished product is a polished LP that is clearly a labor of love.

The opening song, “Expedition to the Barrier Peaks”, sets the tone for what follows and is definitely a stand-out track with its layered sonic arrangements. “We’re the Vegepygmies” is all kinds of spacey and a fun song. “Robot Police” is an ear-worm.  Clever lyrics and a catchy chorus that’ll get stuck in your head for some time after you’re done listening to the album “cuz no one fucks with the robot police.” “The Doctor” may very well be the strongest track of the lot, musically atmospheric with its use of a vocoder and lyrically reminiscent of Floyd. “The Days Had a Number”, the lengthiest track on the album, is another good song that samples vintage ads about computers and how they are the future. “Layers of Your Mind” keeps your head bobbing throughout and has some sharp guitar licks. “Bunny on a Stump” is a dreamy little psychedelic number; you can easily picture a swirling rainbow in the sky with shining stars when you listen to this song. Next up is “Froghemoth”, a more somber tune lyrically with a fine guitar riff and thunderous drumming. Things come to a close with a more down-tempo song, “Shedu Liberation”, a lovely coda to bring forth a happy ending to this sonic journey. 

The Barrier Peaks Songbook truly is a songbook; the Bandcamp download comes with a 24-page illustrated PDF with complete lyrics and chords. How cool is that! And since this is a very visual album, I encourage you to visit Loot the Body’s YouTube channel to watch some of the awesome videos he’s put together for this album and other D&D-inspired tunes. Great stuff!

If I had to use one word to sum up this album it would be “fun.” Like any great concept album, you don’t need any prior knowledge of the source material to fully enjoy it; the music does the talking as the saying goes. It’s a very accessible set of songs that should appeal to anyone who fancies psych, prog rock, and concept albums in general as well as sci-fi/fantasy stories. Give it a spin and I promise you you’ll want to revisit it often.

Loot the Body’s Bandcamp page: https://lootthebody.bandcamp.com/

Loot the Body’s YouTube Channel

Monday, December 7, 2020

Electric Hydra - Electric Hydra

The Eighties are gone but they never left. Sweden’s heavy rock quintet Electric Hydra is leaving an indelible mark on the retro hard rock scene in a big way. Swedish Doom/heavy rock label Majestic Mountain Records released the band’s eponymous first full-length album last week and it keeps getting better with every listen.

Following last year’s promising self-released singles “The Last of Us”, “The Burden”, along with a contribution to the much celebrated Doomed & Stoned album series with a song titled “World Domination”, Electric Hydra proves they are no flash in the pan.  This 35-minute scorcher of an album is relentless in pace from top to bottom without a single dud. From the first two catchy tracks, “It comes Alive” and “Won’t Go to War (with Myself)”, you know you’re in for a hell of a good time. The chugging guitars, pulsating bassline, and thunderous drumming led by the charismatic Sanne Karlsson on vocals, this female-fronted band delivers on its promise to rock our heads out. Karlsson’s vocals are reminiscent of Blondie’s Debbie Harry at times and to me at least, contribute to the throwback experience this album brings. My favorite cut has to be “Blackened Eyes” for which the band shot a very cool videoclip. You can check it out on their YouTube channel.

At the halfway mark, what could very well be the best song on the album, a doomier number titled “Iron Lung”, we’re treated to dual vocals in which guitarist Jonathan Möller chimes in to bring a nice change of style to the festivities. There’s the timely “End of Days” which is also a stand-out track, followed by “Rebel” with Möller returning on vocal duties; this song’s sole purpose in life is to set your speakers on fire! We close things out with “Rise from Below”, the slowest-paced song of the album but one of the very best that does a good job of filling the sonic space and leaves us on our appetite to hear what this exciting band’s next musical journey will be.

Electric Hydra’s self-titled album fires on all cylinders, folks, and it’s here to wake up your neighbors. I can’t really put my finger on what it is, but it has that ‘80s American hard rock/hair metal sound with a fresh edge to it. If you long for those bygone days when Mötley Crüe, Aerosmith, Van Halen, and arena rock ruled the land, then look no further: Electric Hydra’s got your fix.

Electric Hydra’s Bandcamp page: https://electrichydra.bandcamp.com/

Majestic Mountain Records’ Bandcamp page: https://majesticmountainrecords.bandcamp.com/