Harbinger’s Killer Picks – March 2026

Spring is officially here and it’s the last Saturday of March, so it’s time for the Harbinger’s Killer Picks! So, here we go as I shine the light on my most listened to releases this month.

First, longtime friends of the blog know that I don’t typically shine the spotlight on singles as I’d rather focus on EPs and LPs, but as the landscape of music releases evolves over time, singles are often released that don’t end up on any EP or LP later down the road. So, every now and then, a single (or two) comes my way and I just have to talk about it. Such is the case with this double bill of singles that couldn’t be more different—a thrash metal track and a goth rock tune—but they do share one thing in common: they’re from UK bands. Released March 1^st, Durham, UK thrash metal legends Toranaga UK’s latest single, “Crash and Burn”, a melodic and punishing song that will make you raise your fist and shout. It ranks among the band’s best tunes, a catchy, solid riff-fest from beginning to end. I’m very eager to hear the band’s next full-length release after last year’s awesome A New Order EP. Next up, Birmingham, UK goth rock duo Black Rose Moves returned on March 20^th with an earworm of a single, the cinematic “If I Was Here”, hot on the heels of last year’s stellar EP, Death Dance, and marvelous single, “Club of Sin”. Grant Leon’s vocals are reminiscent of Jim Morrison and The Sisters of Mercy’s Andrew Eldritch and are sure to be a delight to the ears of gothic rock and darkwave fans everywhere.

Toranaga UK on Bandcamp

Black Rose Moves on Bandcamp

Second, a proto metal/heavy psych band from my hometown of Montreal, Quebec, Canada by the name of Fangus released their debut LP, Emerald Dream, through From the Urn Records on March 13^th. Formed in 2022, the quintet has garnered quite the rabid following locally over the past couple of years, having released a five-song EP titled Meet the Reaper in the summer of 2024. Emerald Dream is like taking an occult trip to the ‘70s and it’s a hell of a fun ride. Some highlights for me include the incendiary second single, “Pyre of Love”, which might just be my fave track on this record, with singer Jim Laflamme sounding at times like a more raucous version of the Lizard King himself, Jim Morrison; the organ-driven “Psychoid Telepath” with its prog leanings coming straight out of a nightmare; the endless riffs of “Quest for Fire”; the psychedelic instrumental title track; the first single, “Shapeshifter”, which is a perfect snapshot of the LP with its heavy prog vibes; and the phenomenal closer, the menacing “Stardust Regulator”, short, sweet, and incredibly catchy. Emerald Dream will haunt you in your sleep; it’s a record that leaves a lasting impression from the first to the last note. Fangus features a bunch of uber-talented musicians that have crafted a unique-sounding album that borrows from decades past to fuse with a surreal atmosphere and give listeners a bewitching musical experience. Fans of Led Zeppelin, Black Sabbath, Deep Purple, and stoner rock will find a lot to love with this record. Give Emerald Dream a spin at your earliest convenience, you’ll be spellbound.

Fangus on Bandcamp

Third, Iceland’s power metal sextet Power Paladin returned yesterday with their sophomore effort, Beyond the Reach of Enchantment, via ROAR, a division of Reigning Phoenix Music. Hot on the heels of their successful 2022 debut, With the Magic of Windfyre Steel, the band’s passion for fantasy and heavy metal soars once more. I was under the impression Power Paladin had been around longer. I remember hearing a couple of singles from their previous LP and enjoying them. This is the perfect type of music for D&D fans of all ages and, of course, power metal aficionados. As I’ve stated before, I’m not the biggest fan of power metal but it has grown a lot on me in recent years. Still, I have to be in the right kind of mood to truly enjoy a power metal offering from the likes of Helloween, Primal Fear, and Orden Ogan. I can listen to traditional heavy metal or thrash metal anytime, but power metal is at times a little too … energetic for my taste, especially with its characteristic machine gun double bass drumming. For me, the highlights of this sweeping saga include the first single and vigorous—pardon the pun—opener, “Sword Vigor”, which I’d single out as the best song of the LP; “The Royal Road”, a high-octane melodic tune that’ll have you singing along the chorus with your fist in the air; the anthemic, guitar-driven “Camelot Rock City”; and the ambitious epic closer, “Valediction”, with its galloping guitars and guest female vocals (I have no idea who she is) duetting with singer Atli Guðlaugsson. Overall, Beyond the Reach of Enchantment is a solid album that’s missing a little something for me to elevate it to the state of marvelous. I’m pretty sure it’s because power metal isn’t fully my thing. Power Paladin enthusiasts will surely get a huge kick of this excellent follow-up and fans of Helloween and Blind Guardian will no doubt dig this record as well, and maybe discover a new power metal band all at once.

Power Paladin’s Official Website

Fourth, Aussie rock outfit The Neptune Power Federation will return with their 7th album, Mondo Tomorrow, via Cruz Del Sur Music on April 10^th. Frontwoman Screaming Loz Such and her four cohorts focus on the perils of technology this time around and go back to their punk rock roots in the process. The Imperial Priestess and her band continue their adventures along the retro rock route, making music that sounds like it belongs in the ‘70s. I first became aware of this wonderful band only two short years ago—although they’ve been around since 2012—with the release of their previous record, Goodnight My Children, and really dug their music and overall aesthetic. Mondo Tomorrow is another concept album that’s just as enjoyable as its predecessor, if not more. What I love about this band is that they sing about gloomy themes while making upbeat music, much like classic New Wave tunes (think Tears for Fears’ “Mad World”). Some of the highlights for me include the first single and title track, a catchy, high-energy anthem that’s almost poppy; the second single, “And the Bones Decay”, is an absolute delight that follows in the same vein; “Living in the Gutter” is a great sing-along tune; “Mind Controller” might just be my favourite of the bunch, an earworm with pop sensibilities; and “Rhapsody in Blue”, a hook-filled rocker that’s got nothing to do with the Gershwin musical composition of the same name. Screaming Loz Such and the whole band in general, really, remind me at times of Joan Jett & the Blackhearts or even Jett’s first band, The Runaways, with their vibrant brand of music. With Mondo Tomorrow, The Neptune Power Federation delivers a high-octane album chock-full of infectious choruses that’s sure to be played on repeat by long-time fans as well as newcomers.

The Neptune Power Federation on Bandcamp

Fifth, Turin, Italy’s crossover/thrash metal quintet Ural will return on April 23rd with their fourth LP—and sixth release overall as they also have two EPs—titled Anthropic Genetic Involution via boutique label Xtreem Music. This is a blistering record from top to bottom, folks. From the opening fury of the first single, “Extreme Paranoia”, to bangers like “Break the Fall”, the powerful “Wrong Children”, the killer riffs of “God of Lies” or the catchy sing-along chorus of “Wasteland”, Anthropic Genetic Involution is relentless and filled to the brim with anthemic group chants, scorching guitar solos, and crushing rhythm for days. They also put their own spin and stamp on Jazz legend J.J. Johnson Quartet’s “Flat Black” with superb results. Singer Andrea Calviello’s vocals are reminiscent of Rage Against the Machine’s Zack de la Rocha at times and really fit the band’s style. Ural is one of the best discoveries I’ve made this year. They’ve been around for 15 years and already have a fervent fanbase in Italy and Europe; Anthropic Genetic Involution is the album that could push them to a broader, worldwide awareness. Simply put, it features a murderer’s row of hits. They do old school thrash metal just the way I like it and I’m sure fans of the genre will find themselves listening to this LP with a big old grin on their face. So, to all the thrash/crossover metal fans out there, do yourself a favour and grab Ural’s brilliant new album ASAP. It’s definitely a record that will make its way to my Top Ten Albums of the Year in nine months.

Ural on Bandcamp

And there you have it, folks! First quarter of the year is in the books! Tune back here on April 25^th to see what the Harbinger’s Killer Picks will be. Until then, stay safe and crank up the tunes! 

Harbinger’s Killer Picks – February 2026

Another month of winter is behind us and it’s the last Saturday of February, so it must be time for the Harbinger’s Killer Picks! Some really fun albums for you this month. Without further ado, I shine the spotlight on five LPs this month.

First, the UK’s Tailgunner led an all-out attack on February 6^th via Napalm Records on their sophomore album, Midnight Blitz. This is old school British metal at its finest, folks. I only recently became aware of Tailgunner via their awesome rendition of Metallica’s “Hit the Lights” featured on the No Life ‘til Leather - A Tribute to Metallica's Kill ‘Em All released last November. I then proceeded to take their 2023 debut LP, Guns for Hire, for a spin and really liked what I heard. This was a band I would put on my radar going forward. Within the span of two short months, a couple of singles from their follow-up LP were released, followed by the Midnight Blitz LP itself and, man, they really went all-out on this one! Majestically produced by former Judas Priest axeman KK Downing, this record oozes classic metal with its every fiber. The quintet, led by charismatic frontman Craig Cairns, plays a perfect mixture of Priest meets Maiden and the guitar prowess of Rhea Thompson is nothing short of spectacular. If we break it down, the four singles released so far all showcase different aspects of the band’s music: the title track and first single already feels like a classic metal anthem, where Cairns sounds a bit like the Scorpions’ Klaus Meine; the second single, “Tears in Rain”, is both an homage to Blade Runner and a metal ballad just like in the olden days; the grandiose third single, “Eulogy”, is a multi-layered song and certainly a highlight of the album; and their fourth and latest single, “War in Heaven”, featuring Adam Wakeman on keyboards, is epic and powerful and my pick for best track of the LP. After that, there are still six phenomenal songs left to round out Midnight Blitz, including gems like the kick-ass “Follow Me in Death”; the short and sweet “Dead Until Dark”; and another superb song on their recurring theme of Bombers, “Night Raids”. Midnight Blitz is a more polished album than its predecessor and it’s all hits, no misses for this hard-working band. I see great things to come for them in the future. Mark my words, Tailgunner will EXPLODE in 2026! A sure-fire contender for the Top Albums of the Year list. Welcome to the Revolution!

Napalm Records’ Bandcamp page for Tailgunner

Second, Raleigh, North Carolina’s adventure metal quintet Mega Colossus will unleash their fifth LP, Watch Out!, on March 6^th via the Cruz Del Sur Music label. This is the first time I’ve heard of “adventure metal” and you know what, that term suits this band perfectly! They have a unique sound to them, churning out fantasy-themed lyrics, intricate guitar playing along with melodic vocal harmonies. I’d never heard of Mega Colossus but the band has been around for twenty years and from what I gather, they seem to have a rabid following. The LP’s title, Watch Out!, is an homage to Ronnie James Dio’s famous line “Look out!” often found in his lyrics, from his tenure with Rainbow to Sabbath to his band Dio. If there’s one thing that stands out in this record is that the boys are truly having fun playing metal. The opener, “The Bad Thing”, is one of the record’s best songs, followed by the first single, the sing-along, sci-fi themed “Battlefront”. The second single, “Tag in Your Friend”, while melodic and breezy, didn’t particularly grab me. “Good Hunting” is a catchy mid-tempo tune but it goes on for a tad too long. This is my main issue with this record; half of the songs on here overstay their welcome. That’s a lot for a 7-track, 45-minute album. The ambitious “The Halls of Mystikos” is a pretty solid song but overall suffers from that 7-minute runtime. “Here Lies You” is in my opinion the strongest track of the LP and my favourite, with its intricate instrumentation and prog leanings channelling Yes. The Dio-inspired “Bloodless” is a decent closer, but also the lengthiest track running at over 8 minutes; it drags on far too long for my taste. Cut two minutes out and it’d be a much tighter song. But that’s just my two cents; I have a feeling fans of Mega Colossus will really dig those longer tunes. In the end, Watch Out! is a mixed bag for me. Mega Colossus is clearly a group of talented musicians and singer putting their own original spin on the tried-and-true traditional metal formula and for that, I applaud them. Still, I’d recommended the LP to long-time fans of the band and metal aficionados as well as it’s worth listening to.

Mega Colossus on Bandcamp

Third, American heavy metal supergroup Axe Dragger will release their self-titled debut LP via the mighty Ripple Music on March 6^th. Composed of Pantera’s first vocalist, Terry Glazer, along with Fu Manchu guitarist Bob Balch, ex-Pentagram drummer Pete Campbell, and Dark Funeral bassist Fredrik Isaksson, Axe Dragger is an old school heavy metal album. I’d personally describe this first offering as metal that leans more on the side of heavy rock than traditional metal. Bob Balch’s signature guitar sound is present throughout and Glaze’s soaring vocals are in top form. I know I’m in the minority, but I always really dug Pantera’s first couple of records back when they were more of a glam metal band. Glaze was their frontman from 1982 to 1986 and eventually left due to disagreements with the band's musical direction. He was replaced by Phil Anselmo and the rest, as they say, is history. Pantera went on to become a huge metal band and one of the originators of the groove metal genre. Anyhow, back to Axe Dragger. Each one of the quartet’s members pulls their weight, but it’s Glaze that really gives them a unique edge in my opinion. I gotta say though, the album was a bit of a grower on me. It took me a couple of spins to really appreciate it, but after that, I was able to recognize how great it actually is. Surprisingly, none of the three singles thus far are among my favourite tracks on the album; it’s the deeper cuts that I enjoy the most. The highlights for me are “Give You the Rope”, a catchy high-energy tune with a splendid guitar solo courtesy of Balch; the fantasy battle song “Iron Rider”, which is my personal fave; “Eat Me from the Inside”, a slow and heavy, swampy track; “The Damned Will Cry”, another song with occult fantasy lyrics and cool weeping guitar; and the closer, “Death Is Calling My Name”, a heavy song straight from the battlefield with a head-bobbing, chugging riff. Axe Dragger, the album and the band, is a terrific effort from four seasoned veterans. Headbangers of the world need to take notice and listen to these axe wielders; it’s one of Ripple Music’s strongest releases so far in 2026.

Ripple Music’s Bandcamp page for Axe Dragger

Fourth, German power metallers Iron Savior will return with an all covers album titled Awesome Anthems of the Galaxy on March 27^th via the Perception imprint of metal label Reigning Phoenix Music. It’s hard to believe that Iron Savior are celebrating their 30^th year this year—how time flies! In between albums, they’ve decided to put their spin on Marvel’s Guardians of the Galaxy mixtape soundtracks with this latest LP of theirs. A whopping 17 songs, over 70 minutes of pop, soft rock, and new wave hits covered to perfection by the fan-favorite band. Awesome Anthems of the Galaxy takes iconic ‘80s pop songs and gives them a metal flavour. The record covers a wide selection of tunes and artists, and I can tell you that after multiple spins, frontman Piet Sielck and his crew have done justice to every single one of them. That’s no small feat. Some of the songs covered include Irene Cara’s “Fame”, two tracks from the movie Flashdance— “Maniac” and “What A Feeling” —Phil Collins’ “Against All Odds”, and Blondie’s “Call Me” to name a few. Some of the highlights for me are their rendition of A-Ha’s timeless “Take on Me”, Journey’s classic “Separate Ways”, and Patrick Swayze’s Dirty Dancing ballad, “She’s Like the Wind”. Overall, it’s a good mixture of bangers and ballads. A stellar collection of tunes for the nostalgic metal music fan as well as Iron Savior devotees. Awesome Anthems of the Galaxy is just what it promises: splendid anthems that will make you smile and want to sing along.

Perception’s page for Iron Savior

Fifth, Baltimore, Maryland’s street metal/motorpunk quintet Total Maniac will set free their second LP, Love Overdrive, on March 27^th. This is one hell of a fun record! A brisk 27-minute, 8-track affair that delivers the goods in spades. Firmly rooted in late ‘70s/early ‘80s punk, metal and rock ‘n’ roll, Love Overdrive is chock-full of raw energy. The LP is a follow-up to their 2022 self-titled debut and the band has honed its collective skills since then. From the get-go, the opening title track blows everything away in its path with echoes of Di’Anno-era Maiden. “Devil in Plain Sight” and “Just Another” are catchy, breakneck tunes with incendiary riffs; “Drinkin Our Way To Hell”, the first single, is bound to become a bar and pub anthem; “Early Grave” and the apt-titled “Rock and Roll” are rapid-fire rock gems; “Set Fire to the Sun” is a dizzying punkish track full of vitriol, while the closer, “Flatline”, is a ripping thrash song reminiscent of Metallica’s “Whiplash”. Frontman Diamond Dustin has a tremendous vocal presence and the brutal onslaught of guitars, drum, and bass perfectly complement him. Love Overdrive is a lean, mean, scorcher of an album. Not a bad song here; all killer, no filler as the saying goes. Fans of punk, thrash metal, sleazy hard rock, of Motorhead and Venom will fancy Total Maniac and their latest record.

Total Maniac on Bandcamp

And that’s the gist of it, folks! The year is well under way now and there’ll be lots of terrific releases in the coming months. I can’t wait to listen to all this great music! Tune back here on March 28^th for the next issue of the Harbinger’s Killer Picks. Until then, stay safe and crank up the tunes! 

Harbinger’s Killer Picks – January 2026

Welcome to the first issue of the new year! We’re entering the blog’s sixth year and I really like the formula I’ve developed since last year of a magazine-type article covering a handful of my favourite albums for the month. So, without further ado, let’s dig in, shall we?

First, Megadeth just released their final self-titled album on January 23^rd. Dave Mustaine and crew are taking their last bow with this record, their follow-up to 2022’s excellent The Sick, the Dying… and the Dead. That album was in my opinion their best since 2004’s phenomenal The System Has Failed. So, how does this closing chapter stack up against Mustaine’s 16 previous albums? Well, after a handful of spins, I’m not 100% sure yet. I like it, but I don’t love it. It seems to be growing on me more with every new spin but it feels like it lacks a few good gems to make it truly memorable. The opener and first single, “Tipping Point”, is one of the finest tracks on here, showcasing the band’s technical proficiency. The second single, “I Don’t Care”, has a punk edge to it, but somehow never really takes off for me. It’s not a bad song per se but I’m ambivalent towards it. “Hey God?!” features a familiar riff, but in the end turns out to be a paint by numbers tune that is quite forgettable. The third single, “Let There Be Shred”, follows and this one packs a wallop. A catchy track full of youthful energy reminiscent of ‘80s-era Megadeth. The fourth and latest single (seriously, why not spread the singles throughout the LP instead of all one after the other!), “Puppet Parade”, is a mid-tempo, Risk-era sounding tune that is a definite highlight of the record. “Another Bad Day” is another average song with uninspired lyrics; one of the LP’s weakest. Tremendous drumming from Dirk Verbeuren make “Made to Kill” but apart from that, I can take or leave this song. “Obey the Call”, now that’s a song I can get behind! A solid thrash metal tune from top to bottom and strong candidate for best song on the LP. “I Am War” is a decent tune that gets better over multiple listens. The appropriately titled “The Last Note” gets my vote for best song of the LP. Mustaine’s final farewell that brings back a flood of memories and nostalgia of the band’s albums and songs throughout the decades.

Then we move on to the bonus tracks. The much-talked about Metallica cover of “Ride the Lightning” which Dave co-wrote with James and Lars during his tenure with Metallica in the early ‘80s. This is a case of too little, too late. It’s unfair to compare this version to Metallica’s 1984 original as that song is pitch-perfect and we’re getting latter-day Megadeth/Mustaine performing it. It’s an adequate take on it, surprisingly sticking very close to ‘Tallica’s version and sadly lacking Dave’s trademark vitriol and emotion. I would’ve loved to hear Peace Sells or Rust in Peace era Megadeth’s rendition of it, but alas, it wasn’t meant to be. There are two more bonus tracks out there which are well worth seeking: “Bloodlust” (a Target bonus track) and “Nobody's Hero” (the digital edition bonus track). If it were up to me, both should have been included on the album instead of “Hey God?!” and “Another Bad Day”. So, what’s my final verdict about Megadeth’s coda? I believe it’ll get better with the passage of time. At least, it doesn’t overstay its welcome like some of the albums post United Abominations did, feeling at times like they went on far too long. The one thing that it’s got going for it is that pretty much every song is different than the other. It’s already a polarizing album (maybe even more so because it’s the last one, so hardcore fans maybe had higher expectations), but I think overall, the majority of Megadeth devotees will at least enjoy a couple of songs.  You have to admire Dave Mustaine for founding a thrash metal band that lasted over four decades with such a brilliant legacy and enough classic tunes to fill a jukebox, all that after getting kicked out of what would go on to become the biggest metal band in the world. He might have always been a close second, but at least he did it on his own terms. A shame it all ends with none of the original members around—I would’ve loved a reunion with the other Dave on bass and maybe Marty Friedman or Chris Poland on guitars for one last hurrah. Still, if you’re a metalhead, you owe it to yourself to put on a good pair of headphones and take Megadeth, the album, for at least a spin. It’s been a wild ride and I’m very thankful that Megadeth exists.

Megadeth’s Official Website

Second, Newcastle upon Tyne darkwave/post-punk band Vampire Valentine gave birth to their first album, Dry Remains, on January 14^th. They were formed in 2025 by producer Michael Longstaff and bassist Kieron Wright with help from US-based cyberpunk producer Ricky Conover aka Forerunnerx. I used to listen to a ton of synthwave/darkwave around the time the movie Drive came out, circa 2011-2018; artists like Gunship, FM-84, Night Runner, and Kavinsky. I’ve always preferred instrumental synth/darkwave but when the songs are good, a tune with vocals can hit just right. With their debut, Vampire Valentine has found a fine balance of dreamy synths and haunting rhythms to deliver a perfect snapshot of where they’re at in their evolution. The opening instrumental, “Fresh”, oozes with atmosphere while “Thorns”, their catchy second single, sets a wistful tone for the seven tracks that follow. Some highlights of the record for me are the more rock-oriented “Poison”; the elegant piano-driven instrumental “Moth”; the first single, the gentle “Porcelain” (not a cover of the Moby song), which is in my opinion the most memorable track on here and its counterpart, “Olivia”, an earworm with a gothic flavour. Overall, Dry Remains is a solid musical statement that should delight darkwave fans of all ages. Vampire Valentine has arrived—give them a spin at your earliest convenience, you won’t regret it!

Vampire Valentine on Bandcamp

Third, occult doom/hard rock trio Ritual Arcana unleashed their self-titled debut on January 23^rd via Heavy Psych Sounds Records. This three-piece supergroup features the high priestess SharLee LuckyFree on bass & vocals (Moth), the legendary godfather of doom Scott “Wino” Weinrich on guitar (The Obsessed), and the pirate timekeeper Oakley Munson on drums (The Black Lips). What a stellar debut this is! Every member shines on this release; from LuckyFree’s commanding vocals to Wino’s signature guitar sound to Munson’s rumbling drums. “Ritual Arcana”, the song and first single, a fiery, doomier than thou tune sets the tone for the record. If you dig it, then you’ll certainly get a kick out of the whole record. Some highlights for me include the strange and captivating pirate metal tune “Free Like a Pirate”; the slow, hypnotic “Berkana” about a powerful rune; “Mistress of Change”, one of the doomiest tracks of the LP with vocals to die for; the melodic second single and perfect follow-up to the title track, “Subtle Fruits”; and the closer and third single, “Wake the Goddess”, a bass-heavy psychedelic gem. Ritual Arcana is a perfect name for this band and this album: a secret, mysterious ceremony. It’s really early in the year, but it’s bound to become one of 2026’s top albums. So, drop the needle and let the ritual begin!

Heavy Psych Sounds’ Bandcamp Page for Ritual Arcana

Fourth, Seattle, Washington power metal quintet Greyhawk return with their third LP, Warriors of Greyhawk, on February 13^th via the Cruz Del Sur Music label. This is their first album with new vocalist Anthony Corso who joined the band in 2024. I’m new to this band but I’ve listened to a couple of tracks from their previous releases and I must say, for my taste, I prefer Corso’s vocals to those of their previous frontman, Rev Taylor. They sound quite different as far as singers go and it gives the band a refreshing new sound. Taylor does make an appearance on a track, “Chosen”, as guest vocalist. To me, Warriors of Greyhawk is the perfect blend of traditional heavy metal and epic power metal. Power metal has grown on me increasingly these past couple of years and this record sounded better and better on every subsequent spin I gave it. The tone-setting first single, “Ascension”, is melodic and a terrific snapshot of the sonic journey that awaits. “Land of Ashes” is a speedy power metal tune with a fiery guitar solo while the anthemic battle cry of “Take A Stand” is bound to rally Greyhawk fans everywhere. Other highlights for me include the earth-scorcher with soaring vocals, “Endless Race”; the Priest-like charm of “Hyperspace”; the gentler “Rise Above”, and my personal favourite, the closing track, “Eternal Quest” which comes full circle lyrically with the album’s opener. Whether you’re a novice in the realm of Greyhawk or a seasoned warrior, Warriors of Greyhawk is full of magic and fantastical adventures. It’s a superb old school/epic metal album that should be heard by metalheads everywhere, especially those who fancy role-playing games like Dungeons & Dragons and/or LARP.

Greyhawk on Bandcamp

Fifth, Swedish-Norwegian rap-metal legends Clawfinger will make their much-anticipated return—a full eighteen years since their last LP—with Before We All Die on February 20^th via the Perception label imprint of Reigning Phoenix Music. As has always been the case with Clawfinger, this is a record with many messages, tackling racism, politics, drug policies, the environment, and social issues. The quintet, led by rapid-fire vocalist Zak Tell, delivers an outstanding dozen songs without a single dud in the lot. The three singles are all highlights of the LP: the barn-burning “Scum” aimed directly at the 45^th & 47^th U.S. President, the moodily melodic “Ball & Chain”, and the dystopian “Big Brother” and its obsession with the proverbial 15 minutes of fame. Some of my personal faves include the catchy “A Perfect Day”, reminiscent of Ice Cube’s classic “It Was a Good Day”; the swampy and bluesy “A Fucking Disgrace”; the groovy "Environmental Patients" which was released as a single back in 2022; and the closing title track, “Before We All Die”, serving as a wake-up call to the listeners—and which would be a fitting choice for their next single. Before We All Die is an album that goes for the jugular at full throttle. It’s an aggressive, melodic, groovy affair, and a timely record that stands on its own as a highpoint in Clawfinger’s discography. Clawfinger remain relevant purveyors of rap-metal after over thirty years in the business. Highly recommended for fans of the band, rap-metal, and music with a deeper meaning. 

Perception’s Page for Clawfinger

And there you have it, folks! The first issue of HKP of 2026 is in the books! It’s already shaping up to be a stellar year for music. Tune back here on February 28^th for the next round of the Harbinger’s Killer Picks. Until then, stay safe and crank up the tunes!